It’s time again for the whole Chrisparkle team to meet in secret (well, in the living room) to determine who should win the gongs in this year’s annual Chrisparkle Awards. The world of the arts is once again on tenterhooks to discover who will be the chosen few. Eligibility for the awards means a) they were performed in the UK and b) I have to have seen the shows and blogged about them in the period 15th January 2016 to 13th January 2017.
Let’s do this thing!
The first award is for Best Dance Production (Contemporary and Classical)
We saw five dance productions this year and this is the top three:
In 3rd place, the exciting return of Nederlands Dans Theater 2 with their unpredictable mixed programme at the Birmingham Hippodrome in May.
In 2nd place, the amazing story-telling and fantastic performances in Drew McOnie’s Jekyll and Hyde at the Old Vic in May.
In 1st place, for the fourth time in five years, the breathtaking programme by the literally unbeatable Richard Alston Dance Company that we saw at the Royal and Derngate, Northampton in October.
Classical Music Concert of the Year.
Of the five concerts we saw in 2016, these are the top three:
In 3rd place, the stirring eleventh Malcolm Arnold Festival, The Voice of the People Gala Concert with the BBC Concert Orchestra conducted by John Gibbons, with soloist Craig Ogden, at the Royal and Derngate, in October.
In 2nd place, Alexandra Dariescu Performs Rachmaninov, a programme of German and Russian music with the Royal Philharmonic Orchestra conducted by Fabien Gabel, at the Royal and Derngate, in May.
In 1st place, the storming Alan Buribayev conducts Sheherazade, with soloist Anna-Liisa Bezrodny, with the Royal Philharmonic Orchestra at the Royal and Derngate, in February.
Best Entertainment Show of the Year.
By which I mean anything else that doesn’t fall into any other categories – for example pantos, circuses, revues and anything else hard to classify. Very hotly contended this year so we’re going to have to have a top five – and last year’s winner, the annual Burlesque Show, which, whilst excellent as always, doesn’t feature in the charts this year!
In 5th place, the wacky surrealism of Spymonkey’s The Complete Deaths at the Royal in May.
In 4th place, the supremely inventive and unfailingly polite Jamie Raven at the Royal and Derngate in June.
In 3rd place, another magic act, the brilliant and funny Pete Firman in TriX, at the Royal in November.
In 2nd place, the filthy and hilarious Cinderella, at the London Palladium, in December.
In 1st place, the masterclass of hilarious mime that is The Boy with Tape on His Face at the Royal, in November.
Best Star Standup of the Year.
We saw eleven big-name stand-up comics this year, and they were all various shades of brilliant! So it’s going to be hard to whittle them down to a top five:
In 5th place, the long lasting warm glow of an evening spent in the company of Tommy Tiernan (Out of the Whirlwind Tour), at the Royal in March.
In 4th place, the ever-waspish and never unfunny Julian Clary (The Joy of Mincing Tour) at the Royal and Derngate in April.
In 3rd place, the supremely intelligent and devastatingly funny Dane Baptiste (Reasonable Doubts Tour), Underground at the Derngate, Northampton, in March.
In 2nd place, simply because he finally allowed me to laugh at the Brexit result with all my pain proudly on display, Marcus Brigstocke (Why the Long Face Tour) at the Royal in October.
In 1st place, the woman of the moment, and that’s because she just makes you laugh so much, Sarah Millican (Outsider Tour), at the Royal and Derngate in July.
Best Stand-up at the Screaming Blue Murder nights in Northampton.
As ever, a hotly contested award; now that the JAM Comedy club shows have started at the Ark, comics appearing there are also eligible for this award. From a very very long shortlist, here are the top five:
In 5th place, the infectiously manic stupidity of Steve Best (16th September)
In 4th place, larking around where angels fear to tread, Tez Ilyas (21st October)
In 3rd place, the new prince of high camp, Stephen Bailey (4th November)
In 2nd place, turning a gig into a party, the awesome Jonny Awsum (18th March)
In 1st place, last year’s winner and still unbeatable, Ian Cognito (21st October)
Like last year, this is a combination of new musicals and revivals; I only saw eight this year but they were (almost) all excellent! Here are the top five:
In 5th place, the wonderful depiction of Latino life in Washington Heights lived to the full, In The Heights, that we saw at the Kings Cross Theatre in December.
In 4th place, the captivating and satisfying revival of Sondheim’s Into The Woods, at the Menier Chocolate Factory, that we saw in September.
In 3rd place, the stunning revival of Funny Girl, at the Menier Chocolate Factory, that we saw in February.
In 2nd place, the show I hadn’t wanted to see, just caught it before it closed, and I’m so glad I did, Bend It Like Beckham, that we saw at the Phoenix Theatre, in February.
In 1st place, because it’s text book in how to stage a show and gives you such a feelgood factor, Half A Sixpence, that we saw at the Noel Coward Theatre in December.
Best New Play.
Just to clarify, this is my definition of a new play, which is something that’s new to me and to most of its audience – so it might have been around before but on its first UK tour, or a new adaptation of a work originally in another format. An extremely difficult decision, as you have to compare such different genres; but somehow I chose a top three from the eight contenders:
In 3rd place, actually three plays, the extraordinary National Theatre of Scotland production of The James Plays, at the Royal and Derngate Theatre, Northampton in April.
In 2nd place, the brilliantly written and performed The Herbal Bed, at the Royal Theatre, in February.
In 1st place, the hauntingly unforgettable Soul, at the Royal Theatre, in May.
Best Revival of a Play.
Saw ten revivals, all of which were worthy of consideration. Here’s the top five:
In 5th place, the highly innovative and enjoyable reworking of Shakespeare’s The Tempest, co-produced by the R&D and the National Youth Theatre, at the Royal Theatre, in June.
In 4th place, breathing new life into a play that could easily be a little sterile, Harold Pinter’s No Man’s Land, at Wyndham’s Theatre in October.
In 3rd place, the hilarious and brutally honest revival of Terry Johnson’s Dead Funny, at the Vaudeville Theatre, in December.
In 2nd place, Christopher Luscombe’s electric production of Shakespeare’s Love’s Labour’s Lost and Much Ado About Nothing at the Festival Theatre, Chichester, in October.
In 1st place, the production that had me sweating with excitement and exhilaration, the late Howard Davies’ production of Christopher Hampton’s new translation of Henrik Ibsen’s An Enemy of the People, at the Festival Theatre, Chichester, in May.
As always, in the post-Christmas season, time to consider the turkey of the year – the one that stuffed us all as the biggest disappointment was the drabfest that was Breakfast at Tiffany’s at the Curve Theatre, Leicester, in March.
Now we come on to our four categories specifically for the Edinburgh Fringe. The first is:
Best play – Edinburgh
We saw 16 plays in Edinburgh, and here are the top 5:
In 5th place, the elegant and moving story of post World War One England with Aulos Productions’ Lest We Forget (Bedlam Theatre)
In 4th place, the funny and unsettling Partial Nudity produced by Fandango Productions (Monkey House @ Zoo)
In 3rd place, the stunning one-man play set against Cardiff’s nightlife, Saturday Night Forever, produced by Aberystwyth Arts Centre and Joio (Underbelly Med Quad)
In 2nd place, the brilliantly stereotype-challenging Jumping The Barriers by The Courtyard Players (Space on The Mile)
In 1st place, the emotionally charged and truly creative Us/Them by Bronks/Made in Belgium (Summerhall)
Best Individual Performance in a Play – Edinburgh
This was a very difficult choice this year as most of the plays we saw were superb ensemble efforts where you couldn’t (well I couldn’t) identify one particular individual over the rest of the cast. However, I have no hesitation in recommending to you this top three:
In 3rd place, Adam J S Smith for Jumping The Barriers (Space on the Mile)
In 2nd place, Chris Daley for Jumping The Barriers (Space on the Mile)
In 1st place, Delme Thomas for Saturday Night Forever (Underbelly Med Quad)
Best stand-up comedy show – Edinburgh
Thirteen shows but a shortlist of just four gives this top three:
In 3rd place, for the honesty of his material the likeable and hilarious Dave Chawner (Cabaret Voltaire)
In 2nd place, for nailing the Zeitgeist with 10 Things I Hate About UKIP, Joe Wells (T-Bar)
In 1st place, again, the unmissable late night laughter line-up that is Spank! (Underbelly Cowgate)
Best of the rest – Edinburgh
This has been a ridiculously hard choice to make and I have to leave out at least seven brilliant shows that I would happily see again. Still, no one said life is easy. Here’s the top five: (As an aside, I was called out of the audience to participate in three of them!)
In 5th place, for brilliant impressions in a cleverly constructed show, Luke Kempner’s Judi Dench Broke My Heart (Pleasance Dome)
In 4th place, one of the best (arguably THE best) variety line-ups ever assembled and hosted brilliantly, Lili la Scala’s Another F*cking Variety Show (Pleasance Dome)
In 3rd place, the quick-fire inventive sketches that featured me but also Foil Arms and Hog – Doomdah! (Underbelly Cowgate)
In 2nd place, early morning hilarity with a beautifully written and performed subversion of A Midsummer Night’s Dream, Shakespeare for Breakfast (C Venues, Chambers Street)
In 1st place, a truly winning combination of parody, pressure and hot pan, Kev’s Komedy Kitchen (Just the Tonic at the Mash House)
This year’s Edinburgh turkey, which wasn’t as bad as all that, (although it wasn’t that great either) was the two-hander play involving night-club Mafia, The Club.
And now for a new award. This year I have seen many more local productions. They are mainly (but not exclusively) by students at the University of Northampton; but there are also the Royal and Derngate Actors’ Company, the Youth Companies, other local theatre groups and the National Theatre Connections to consider. So this is the First ever Chrisparkle award for Best Local Production – taking all aspects of the production into account.
In 5th place, from the Flash Festival, Infuse Theatre Company’s X or Y
In 4th place, by the current 3rd year students at the University, She Echoes
In 3rd place, again from the Flash Festival, La Zenna Theatre Company’s The Final Cut
In 2nd place, the Royal and Derngate’s Actors’ Company’s production of Market Boy at the Royal Theatre.
In 1st place, the University’s production of Blue Stockings at the Royal Theatre.
I only saw four last year, and, while I have to recognise the brilliance of I Daniel Blake, personal involvement (including being an extra in it) means I must award it to The Girl With All The Gifts. If you haven’t seen it – See it!!
Best Performance by an Actress in a Musical.
This is where it gets personal. Nine contenders in the shortlist, and here are the top three:
In 3rd place, Emma Williams as Helen in Half a Sixpence at the Noel Coward Theatre in December.
In 2nd place, Devon-Elise Johnson as Ann in Half a Sixpence at the Noel Coward Theatre in December.
In 1st place, Sheridan Smith as Fanny Brice in Funny Girl at the Menier Chocolate Factory, in February.
Best Performance by an Actor in a Musical.
Eight fine performances in the shortlist, producing this top three:
In 3rd place, Tony Jayawardena as Mr Bhamra in Bend it Like Beckham at the Phoenix Theatre, in February.
In 2nd place, Sam Mackay as Usnavi in In The Heights, at the Kings Cross Theatre in December.
In 1st place, Charlie Stemp as Kipps in Half a Sixpence at the Noel Coward Theatre in December.
Best Performance by an Actress in a Play.
Very tough one, this one. Thirteen in the shortlist, but here’s the top five:
In 5th place, Sophie Walter as Prosper in The Tempest at the Royal in June.
In 4th place, Adjoa Andoh as Alberta in Soul at the Royal in May.
In 3rd place, Clare Foster as Cecily in Travesties at the Menier Chocolate Factory, in October.
In 2nd place, Lisa Dillon as Rosaline in Love’s Labour’s Lost and Beatrice in Much Ado About Nothing at the Festival Theatre, Chichester in October.
In 1st place, Katherine Parkinson as Eleanor in Dead Funny at the Vaudeville Theatre in December.
Best Performance by an Actor in a Play.
The most hotly fought for award, with twenty contenders in my shortlist, and I whittled it down to this:
In 5th place, Hugh Bonneville as Dr Stockmann in An Enemy of the People, at the Festival Theatre, Chichester, in May.
In 4th place, Tom Hollander as Henry Carr in Travesties, at the Menier Chocolate Factory, in October.
In 3rd place, Nathan Ives-Moiba as Marvin Gaye Jnr in Soul at the Royal Theatre in May.
In 2nd place, Sir Ian McKellen as Spooner in No Man’s Land at Wyndham’s Theatre in October.
In 1st place, Edward Bennett as Berowne in Love’s Labour’s Lost and Benedick in Much Ado About Nothing at the Festival Theatre, Chichester in October.
Theatre of the Year.
For the second year running there’s no change in the Number one and Number two theatres! Presenting an extraordinary range of drama and entertainment, this year’s Theatre of the Year is the Royal and Derngate, Northampton, with the Festival Theatre/Minerva Theatre in Chichester as runner-up.
It’s been another fantastic year – 140 productions seen in all – and thanks to you gentle reader for continuing to read my theatre reviews. Let’s look forward to another wonderful year of theatre in 2017!