Climate Change and the lethal waste in our seas are definitely up there among the world’s biggest problems at the moment – and it doesn’t help that so many of the powers that be either don’t take them seriously or, even worse, deny their existence. This group of young actors from the Final Year BA (Hons) Acting Students at Northampton University have collaborated to create their own take on the problem and ways in which some people can help (or hinder) progress.
This show is a sequence of inter-related sketches and scenes that highlight the scale of the problem from many different angles. First, we are introduced to our keen and lively cast who parade on stage and then “assume positions” of varying degrees of artistry, from which they bawl, prance, leap, moan and all sorts of other noisy actions in between; all under the masterful watch of their wonderfully posey and pompous Director, played with dazzling humour by Ryan Greendale. They’re happy, playful little performers who all eventually die due to their contaminated environment. It instantly makes a very forceful point – although if that scene had carried on much longer it might have got a little self-indulgent.
Then we meet Gwilym, with his uphill task of keeping his herd of cows in check, as they blunder all over the stage and up into the audience. These devious cattle have a plan to increase methane production by working on their farts. This was a fun sketch, primarily as a result of their having to keep their bovine secret from Gwilym, so that every time he turns up, all untrusting-like, they revert to their traditional mooing. Very nicely done! The next sketch featured some well-meaning broccoli farmers (I assume that’s what they were) being tricked out of their land by the scheming Nafetalai Tuifua and Lyric Impraim in an enjoyable exposure of how simple folk don’t have a chance against Big Business.
And so the show continued. I won’t go through each and every sketch – I won’t be able to remember them all at any rate! But there were some entertaining running characters who burst forward every now and then. Hannah Magrath’s Doctor keeps a constant eye on the deteriorating double-act of Louise Akroyd’s Mother Earth and Daniel Hubery’s Poseidon (lord of the sea). This somewhat abused couple fight for breath and can’t stop the coughs as their condition gets worse and worse. There’s a highlight when Poseidon, in his snorkel and speedos, leads the cast in a big number about the pollution in the seas. I enjoy and admire how Mr Hubery is not afraid to look ridiculous in order to get the laughs! By the end of the show, Poseidon (lord of the sea) and Mother Earth have frankly given up the ghost – and the future is definitely looking grim.
Another recurrent character is Trevor, from the Climate Change/World Ecology think tank, a seemingly well-meaning but ineffectual chap with a serious message on how to manage the future. He gets bombarded from the audience with recyclables, and eventually is bribed by Interested Parties with cash to flash to keep his ideas to himself. It’s a good, understated performance from Joseph Mattingley, who connects extremely well with the audience.
Other sketches include three nature-watchers sailing out to sea in a coffin, who marvel at the destroyed world around them – lovely performances from Fiona Moreland-Belle, Samantha Turner and Simon Roseman; a Tongan hula party brought to life by the immensely watchable Nafetalai Tuifua; and the vegan thugs who beat meat-eaters up with celery sticks. Ms Turner, again, is the ringleader of this green gang and has a quietly authoritative stage presence; she reminds me a little of a younger Jessica Hynes, which is No Bad Thing.
There’s one incredible coup-de-theatre, for which everyone should be congratulated; when the stage is transported to the sea with the use of one large sheet of tarpaulin, waving and blowing in the air, being raised over our heads, with the wind rushing and the sense of sea spray on our faces, and making the detritus on the floor look even more disgusting and criminal as a contaminated sea bed. A relatively simple device, but in effect, absolutely breathtaking and beautifully carried out.
All members of the cast worked their socks off as part of the big ensemble and also in their individual roles. In addition to those I’ve already mentioned I really enjoyed all the contributions made by Kieran James and Melissa Knott who were both outstanding in their stage confidence and all their characterisations; but everyone played a tremendous part in creating an engrossing show. Very enjoyable all round – and plenty to make you think about too!